Difference between revisions of "Love and the Private Eye"
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{{Infobox episode | {{Infobox episode | ||
|image= | |image= [[File:Peggy seduces Melvin.png|300px]] | ||
|caption= | |caption= | ||
|prodno= | |prodno= | ||
|premiere= January 28, 1972 | |premiere= [[January 28]], [[1972]] | ||
|run_time= | |run_time= 22:16 | ||
|writers= [[ | |music= [[Hoyt Curtin]] | ||
|directors= [[William Hanna]] | |writers= [[Ray Allen]]<br />[[Harvey Bullock]] | ||
|directors= [[William Hanna]]<br />[[Joseph Barbera]] | |||
|title_card= [[File:LAS 318 title card.png|300px]] | |title_card= [[File:LAS 318 title card.png|300px]] | ||
}} | }} | ||
'''"Love and the Private Eye"''' is a segment in an episode of ''Love, American Style'' season three, with the | '''"Love and the Private Eye"''' is a segment in an episode of ''Love, American Style'' season three, with the intention of being a back-door pilot to an adult spy comedy that failed to become fully realized. It aired on [[January 28]], [[1972]] on [[ABC]]. It was written by [[Ray Allen]] and [[Harvey Bullock]], produced [[Alan Rafkin]], [[William Hanna]] and [[Joseph Barbera]], and directed by Hanna and Barbera, the founders of [[Hanna-Barbera Productions]]. Hanna-Barbera didn't forget the idea of a private investigator, which may have morphed into the tamer ''[[Inch High, Private Eye]]'', which began a year later. | ||
Private investigator Melvin Danger looks into the murder of his client. | Private investigator and master of disguise Melvin Danger looks into the murder of his recent client. | ||
==Detailed summary== | ==Detailed summary== | ||
Line 23: | Line 24: | ||
|style="background-color:#d2d2ff"| [[Williams]] | |style="background-color:#d2d2ff"| [[Williams]] | ||
|style="background-color:#aaffaa"| [[Lennie Weinrib|Leonard Weinrib]] | |style="background-color:#aaffaa"| [[Lennie Weinrib|Leonard Weinrib]] | ||
|- | |||
|style="background-color:#d2d2ff"| [[Peggy Mason]] | |||
|style="background-color:#aaffaa"| [[Cynthia Adler]] | |||
|- | |||
|style="background-color:#d2d2ff"| [[George Hammond]] | |||
|style="background-color:#aaffaa"| [[Bob Holt|Robert Holt]] | |||
|- | |||
|style="background-color:#d2d2ff"| Garbage man #1 | |||
|style="background-color:#aaffaa"| Unavailable | |||
|- | |||
|style="background-color:#d2d2ff"| Garbage man #2 | |||
|style="background-color:#aaffaa"| [[John Stephenson]] | |||
|- | |||
|style="background-color:#d2d2ff"| [[Tangerine Glick]] | |||
|style="background-color:#aaffaa"| [[Mitzi McCall]] | |||
|- | |||
|style="background-color:#d2d2ff"| Police captain | |||
|style="background-color:#aaffaa"| Unavailable | |||
|- | |||
|style="background-color:#d2d2ff"| [[Mrs. Hammond]] | |||
|style="background-color:#aaffaa"| Unavailable | |||
|- | |||
|style="background-color:#d2d2ff"| [[Mike Riker]] | |||
|style="background-color:#aaffaa"| John Stephenson | |||
|- | |||
|style="background-color:#d2d2ff"| [[Carl Best]] | |||
|style="background-color:#aaffaa"| Unavailable | |||
|- | |||
|style="background-color:#d2d2ff"| [[Frank (Love and the Private Eye)|Frank]] | |||
|style="background-color:#aaffaa"| John Stephenson | |||
|- | |- | ||
{{CastBottom}} | {{CastBottom}} | ||
==Organizations== | ==Organizations== | ||
* [[ | * [[Hammond Industries]] | ||
* [[Danger Incorporated]] | |||
* Tri-Cities Insurance (mentioned) | |||
==Locations== | ==Locations== | ||
* Riverside Avenue | * [[Earth]] | ||
** [[United States]] | |||
*** Hammond Industries HQ | |||
*** Melvin Danger's offices | |||
*** Mrs. Hammond's residence | |||
*** Riverside Avenue | |||
**** Peggy Mason's residence | |||
==Objects== | ==Objects== | ||
* | * Nothing of importance | ||
==Vehicles== | ==Vehicles== | ||
Line 40: | Line 79: | ||
==Production== | ==Production== | ||
===Development=== | ===Development=== | ||
===Filming=== | |||
It was copyrighted in [[1971]]. | |||
==Music== | |||
The score was composed by [[Hoyt Curtin]]. It was edited by [[Pat Foley]]. | |||
==Release== | |||
Dates are in order of release: | |||
* United States: January 28, 1972 on ABC | |||
==Behind the scenes== | ==Behind the scenes== | ||
* Melvin and Williams's voices are styled after actors, Humphrey Bogart and Terry Thomas, respectively. | |||
** The names outside of the hotel Melvin rents an office are called Casablanca Street and Sierra named after the films ''Casablanca'' and either ''The Treasure of the Sierra'' or ''High Sierra'', films that Bogart starred in. | |||
* Like other Hanna-Barbera series at the time, it also had its own laugh track. | * Like other Hanna-Barbera series at the time, it also had its own laugh track. | ||
* This was the first of two pilots Hanna-Barbera tested through ''Love, American Style'', but | * This was the first of two pilots Hanna-Barbera tested through ''Love, American Style'', but whereas this failed, the second one entitled "[[Love and the Old-Fashioned Father]]", led to the fully realized series ''[[Wait Till Your Father Gets Home]]'', which lasted three seasons. | ||
==Errors== | ==Errors== | ||
* | * The captain calls Frank an officer, when he looks more like a detective. | ||
==Critical reception== | ==Critical reception== | ||
==In other languages== | ==In other languages== | ||
{| class="wikitable" | {| class="wikitable" | ||
Line 72: | Line 119: | ||
[[Category:Directed by William Hanna]] | [[Category:Directed by William Hanna]] | ||
[[Category:Episodes]] | [[Category:Episodes]] | ||
[[Category:Hanna-Barbera]] |
Latest revision as of 03:15, 28 November 2022
Love and the Private Eye | |
---|---|
Premiere date | January 28, 1972 |
Run time | 22:16 |
Music composed by | Hoyt Curtin |
Writer(s) | Ray Allen Harvey Bullock |
Director(s) | William Hanna Joseph Barbera |
Title card | |
"Love and the Private Eye" is a segment in an episode of Love, American Style season three, with the intention of being a back-door pilot to an adult spy comedy that failed to become fully realized. It aired on January 28, 1972 on ABC. It was written by Ray Allen and Harvey Bullock, produced Alan Rafkin, William Hanna and Joseph Barbera, and directed by Hanna and Barbera, the founders of Hanna-Barbera Productions. Hanna-Barbera didn't forget the idea of a private investigator, which may have morphed into the tamer Inch High, Private Eye, which began a year later.
Private investigator and master of disguise Melvin Danger looks into the murder of his recent client.
Detailed summary
Memorable quotes
Characters
In order of appearance: | ||||||||||||||||||||||||||
|
Organizations
- Hammond Industries
- Danger Incorporated
- Tri-Cities Insurance (mentioned)
Locations
- Earth
- United States
- Hammond Industries HQ
- Melvin Danger's offices
- Mrs. Hammond's residence
- Riverside Avenue
- Peggy Mason's residence
- United States
Objects
- Nothing of importance
Vehicles
- Melvin's car
Production
Development
Filming
It was copyrighted in 1971.
Music
The score was composed by Hoyt Curtin. It was edited by Pat Foley.
Release
Dates are in order of release:
- United States: January 28, 1972 on ABC
Behind the scenes
- Melvin and Williams's voices are styled after actors, Humphrey Bogart and Terry Thomas, respectively.
- The names outside of the hotel Melvin rents an office are called Casablanca Street and Sierra named after the films Casablanca and either The Treasure of the Sierra or High Sierra, films that Bogart starred in.
- Like other Hanna-Barbera series at the time, it also had its own laugh track.
- This was the first of two pilots Hanna-Barbera tested through Love, American Style, but whereas this failed, the second one entitled "Love and the Old-Fashioned Father", led to the fully realized series Wait Till Your Father Gets Home, which lasted three seasons.
Errors
- The captain calls Frank an officer, when he looks more like a detective.
Critical reception
In other languages
Language | Name | Meaning |
---|---|---|